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Grimm Special: “The Thing With Feathers”

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Grimm Special: “The Thing With Feathers”

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Column Battle of the Fairy Tale Shows

Grimm Special: “The Thing With Feathers”

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Published on April 10, 2012

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Well, Once Upon a Time took Easter Sunday off, so there wasn’t a new episode last night, which means that we have a Grimm Special this week in the Battle of the Network Fairy Tale Shows.

This is just as well as this episode was so awesome (and horrifically disgusting) on so many levels, that it really does deserve its own space. In “The Thing With Feathers” there’s relationship drama between Nick and Juliette; a teasing, flirty vibe between Renard and Adalind; an adorable crush vibe between Monroe and Rosalee; an abusive relationship between a cat wesen and a bird wesen; and the stalkerish beginnings of a relationship between Hank and Adalind.

Meanwhile, Wu continues his love affair with eating objects that aren’t food.

Grimm, Ep. 16: “The Thing With Feathers”

Nick (David Giuntoli) excitedly takes Juliette (Bitsie Tulloch) on a weekend getaway in the hopes of building up to finally proposing. However, their romantic weekend is sidetracked, because of a couple, Tim (Josh Randall) and Robin (Azura Skye) in an obviously abusive relationship staying across the way. With Monroe (Silas Weir Mitchell) and Rosalee’s (Bree Turner) help, Nick learns that Tim is a klaustreich, a vicious cat-like wesen, and that Robin is a seltenvogel, a rare bird-like wesen that produces a Unbezahlbar, a golden egg, once in its lifetime, and is usually kept prisoner, because of its value. Meanwhile, Captain Renard (Sasha Roiz) encourages Adalind (Claire Coffee) to kick things up a notch with Hank (Russell Hornsby), who has already left her countless voice mails and threatened someone he thought was her suitor. Adalind finally accepts a date from Hank. Nick rescues Robin, both from Tom and from the unwanted burden she carried, but he cannot rescue his romantic weekend, and Juliette turns down his marriage proposal. Back at the precinct, Sergeant Wu (Reggie Lee) eats paper clips.

Script: Holy Hatem, Batman! Richard Hatem has written what is officially my favorite episode of Grimm thus far. “The Thing With Feathers” gives us both an intriguing, suspenseful, and emotional case in the Robin/Tim storyline as well as some amazing character development for all of Grimm’s leads. While the story is based on Hans Christian Andersen’s “The Nightingale,” it also seems to draw a bit of inspiration from “The Goose that Laid the Golden Egg,” to wonderful effect, creating one of the best instances of a case that could easily be something commonplace (in this case, domestic violence), but actually has wesen causes. Nick and Juliette’s relationship was handled beautifully here, and I was particularly impressed that, even with Juliette turning down Nick’s proposal, it didn’t go into the cliched break-up. On television, it always seems like if a guy asks a woman to marry him, and she says no, the relationship is over, and that’s always struck me as weird. The reality is that there’s any number of reasons that a woman might say no at a certain moment, and it doesn’t have to mean the death of the relationship. Juliette’s response to Nick’s proposal is both true to her character and a game-changer for Nick, who now has to choose between keeping his secret, or keeping Juliette.

The Hank/Adalind subplot was equally engaging, and I think it such an interesting use of Hank. Since the pilot, we’ve heard all about Hank’s many failed marriages. In this episode, he’s thrilled that Nick is finally proposing to Juliette…even as he’s embarking on yet another relationship that can only end badly. Poor Hank. Also, what is up with Renard and Adalind? How many bosses do you know that slip into your bathroom after you’ve gotten out of the shower to talk business, then dodge your kiss after nuzzling your hair and leave? What. The. Hell.

As Emily Dickinson wrote, “Hope is the thing with feathers that perches in the soul.” What’s interesting is that “The Thing With Feathers” captures Nick and Hank at their most hopeless. Or maybe not. After all, Nick and Juliette are still together, and Hank still has a Grimm as his partner who can eventually save him from Adalind’s clutches. Perhaps there’s hope after all.

Performances: David Giuntoli was outstanding in this episode, perfectly balancing his “normal guy” self with the burgeoning, badass Grimm. The look on his face when Juliette turned him down was heartbreaking, conveying the immense pressure and sadness inherent in his new role. Bitsie Tulloch was also remarkable, and even as she does things outside of Juliette’s comfort zone, like assuredly using a gun, she doesn’t stray too far into “kick-ass heroine” territory. Tulloch is great at keeping Juliette completely grounded and realistic even in extraordinary circumstances. The main cast was strong all around, and Azura Skye brought a beautiful vulnerability and steely resolve to the role of Robin.

Production: UGH. OH MY GOD. THAT UNBEZAHLBAR DELIVERY SCENE! THAT WAS THE MOST HORRIFYING THING I’VE SEEN ON TELEVISION IN A LONG TIME. AND I WATCH FRINGE! It had me cringing and screaming the entire time. The prosthetics on Robin looked amazing and gross. Also, the locations, particularly the force-feeding station, had a great look to them. Grimm excels at keeping things modern, while also evoking an old-timey, storybook feel.

However, Robin’s bird transformation always looked horribly fake. The yellow feathers looked animated. Also, the corpse of the guy that was helping her escape looked fake, too. Still, for the most part, “The Thing With Feathers” was a beautifully designed episode.

Representation: Hank is central to a major subplot, and it was great to be able to see him pull rank on a white man as a black cop. Not just a cop, but a high-ranking one. And sure, it was Hank being crazy and under a spell, but it was an important visual that Grimm gave us in that moment. Even though we only got one scene with Wu, because of the nature of what’s going on with him, he pulled focus in that one scene, so any viewer knows that he’s important. I only hope that by the end of the season they aren’t simply being saved. I hope that they both, in some way, have a role in overcoming whatever’s coming to a head for Nick. It should be Nick mostly, but it shouldn’t be Nick all alone. He has an entire team at his disposal, not just Monroe, and they should all come together on his side by the time all of this is over. This includes Juliette, who clearly wants to and is capable of being included. She followed Nick into the woods, and he trusted her to hold a gun on someone! Why he hasn’t already told her about being a Grimm, I don’t know. He clearly knows it’s best, and she’s made it clear that she prefers honesty to secrecy and that she can handle herself. The show seems to be setting her up as another partner in the field for Nick, and I hope they follow through on that. I like them together, and I like Juliette involved. Nick needs to read the memo.

I’m having a bit of trouble with Adalind, though. Now, you all know that I love her. However, too much of her “power” is starting to come from her ability to attract men, and this kind of disturbs me. Especially when she talks about how she could have ripped that guy’s face off. I was thinking to myself, “Yes! More of that!” Up until now, I never felt anything romantic between Renard and Adalind. It always felt more like a mentor/mentee or captain/trusted second in command relationship, and I liked that about it. With this obvious sexual tension put into it, it kind of lessens their relationship for me. I want Ripping-Faces-Off Adalind back. The Adalind that Renard set loose from his car to attack someone early in the show. Now, the interesting thing is that Renard seems to like that she rips faces off. The way he said “Just be what you aren’t” when advising her implied that he really likes what she is, and it’s possibly a turn-on for him. That could be interesting, especially since he’s in a position of power (royalty, even, where one imagines there’s certain protocols and acceptable behavior) clearly wearing a wedding ring and Adalind is not. They’d just better not reduce Adalind to a mere sexpot.

Rosalee is proving to become an asset as well, and that’s a wonderful thing. I love that Monroe was a bit jealous of her when Nick asked her for advice first! Robin was a wonderful character, and even though she was the victim in all of this, she wasn’t entirely helpless. She, like the trapped heroines in Once Upon a Time’s “Hat Trick,” made every realistic attempt to escape. Also, the “golden egg” meant nothing to her, and she saw it as a burden, which was very interesting. There wasn’t anything implied about the importance of motherhood, and she didn’t get sentimental about it for any reason. In most ways, she was a victim the way a male character would be a victim, except that perhaps the situation wouldn’t have caught Juliette’s attention so quickly if it were a male seltenvogel instead, because it wouldn’t have so obviously looked like abuse.

Hmm. There’s a thought. What if the Robin character were a guy along the lines of Martin the mouse guy in “Of Mouse and Man?” After all, they didn’t specify that all seltenvogel are female, and while the unbezahlbar is egg-like, it’s not an egg and is produced in a gland in the throat. Would anything have gotten done about a male seltenvogel in the same situation? Would it have been seen as abusive or troubling? Would a klaustreich have been as interested, or would another type of wesen have gone after a male? I’d be curious to hear what you all think in the comments.

Audience Engagement: As I said up top, “The Thing With Feathers” is my favorite episode of Grimm so far. I would put this in front of anyone who hasn’t yet seen the show and tell them “This is the best of what Grimm can do.” And they would love it. Because it is awesome.

Well, that’s all for Grimm this week (and next week’s episode looks exciting)! Make sure you join us next week, as we’re in the final episodes for both shows! Grimm airs Fridays at 9PM ET on NBC, and Once Upon a Time airs Sunday nights at 8PM on ABC.


Teresa Jusino wouldn’t have a problem with Renard sneaking up on her after a shower either. Just sayin’. She was selected as one of the Top 11 Geek Girls of 2011 at the Geek To Me blog at Chicago Redeye, and her “feminist brown person” take on pop culture has been featured on websites like ChinaShopMag.com, PinkRaygun.com, Newsarama, and PopMatters.com. Her fiction has appeared in the sci-fi literary magazine, Crossed Genres; she is the editor of Beginning of Line, the Caprica fan fiction site; and her essay “Why Joss is More Important Than His ‘Verse” is included in Whedonistas: A Celebration of the Worlds of Joss Whedon By the Women Who Love Them, which is on sale now wherever books are sold! She is Geek Girl Traveler when she travels. 2012 will see Teresa’s work in two upcoming non-fiction anthologies, and her “Moffat’s Women” panel will be featured at Geek Girl Con in August!  Get Twitterpated with Teresa, “like” her on Facebook, or visit her at The Teresa Jusino Experience.

About the Author

Teresa Jusino

Author

Teresa Jusino was born the day Skylab fell. Coincidence? She doesn't think so. A native New Yorker, Jusino has been telling stories since she was three years old, and she wrote a picture book in crayon in nursery school. However, nursery school also found her playing the angel Gabriel in a Christmas pageant, and so her competing love of performing existed from an early age. Her two great loves competed all the way through early adulthood. She attended NYU's Tisch School of the Arts where she majored in Drama and English Literature, after which she focused on acting, performing in countless plays and musicals in and around New York City, as well as short films, feature length independent films, and the one time she got to play an FBI agent in a PBS thing, which she thought was really cool, because she got to wear sunglasses and a dark suit and look badass. Eventually, producing was thrown into the mix. For four years, she was a company member and associate producer for a theater company called Stone Soup Theater Arts. She also produced a musical in which she also performed at Theater For the New City called Emergency Contraception: The Musical! by Sara Cooper, during which she ended every performance covered in fake blood. Don't ask. After eight years of acting, Jusino decided that she missed her first love – writing – and in 2008 decided to devote herself wholly to that pursuit. She has since brought her "feminist brown person" perspective to pop culture criticism at such diverse sites as Tor.com, ChinaShop Magazine, PopMatters, Newsarama, Pink Raygun, as well as her own blog, The Teresa Jusino Experience (teresajusino.wordpress.com), and her Tumblr for feminist criticism, The Gender Blender (tumblwithteresa.tumblr.com). She is also the editor of a Caprica fan fiction site called Beginning of Line (beginningofline.weebly.com), because dammit, that was a good show, and if SyFy won't tell any more of those characters' stories, she'll do it herself. Her travel-writer alter ego is Geek Girl Traveler, and her travel articles can be followed at ChinaShop while she herself can be followed on Twitter (@teresajusino). Her essay, "Why Joss is More Important Than His 'Verse" can be found in the book Whedonistas: A Celebration of the Worlds of Joss Whedon By the Women Who Love Them (Mad Norwegian Press). In addition to her non-fiction, Jusino is also a writer of fiction. Her short story, December, was published in Issue #24 of the sci-fi literary journal, Crossed Genres. A writer of both prose and film/television scripts, she relocated to Los Angeles in September 2011 to give the whole television thing a whirl. She'll let you know how that goes just as soon as she stops writing bios about herself in the third person.
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13 years ago

I’ve been watching Grimm from the beginning and as the season has progressed it has only gotten better. For myself, this wasn’t my favorite episode of the season (Plumped Serpent or the Amy Acker-Spider episode), but it’s definitely top three. The casting, both regular and guest, on this show has been top tier and whomever is in charge should receive a nice bump in pay.

Right now my only concern with the show is Nick and Hank always getting cases in which wesen are somehow involved, either as victim or perpetrator or both. I know “suspension of belief” has to be applied somewhat, however wesen aren’t half the population on the Earth from the information that Monroe gives Nick and Nick reads in the camper. So eventually Nick and Hank are going to get a strictly normal human case and Nick will have to deal with a entirely seperate wesen-related issue that same episode, to me that’s when Nick will have to really confront being both a dedicated police officer and a Grimm when they don’t intertwine. Based on how this show has been hitting on all cylinders, after a shaky first few episodes, it should be well handled but it’s a hurdle the producers and writers will eventually need to jump.

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priyakish
13 years ago

I loved your recap. Grimm is one of the best tv shows. I love the entire cast. Everyone loves Monroe, however my fav has been Adalind since the show started. Claire Coffee is so awesome playing the evil. I hope we’ll see more rip your face off Adalind in the next ep. I think they downplayed Adalind’s power becasue she’s dealing with Hank who thinks Adalind is a sweet girl.
I got to say I enjoyed that bathroom scene with Renard/Adalind. It was hot. Also I am worried if Renard is just using her to get to Nick.
This is one of my fav ep . I am really enjoying the
Hank/Adalind/Renard SL

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AlBrown
13 years ago

My wife found this episode absolutely repulsive. During the force feeding scenes, she made me turn down the sound and refused to watch. I can see her point. Watching that woman being abused was pretty tough to take–beneath all the fantasy trappings, it was watching sadistic, evil behavior at its worst.
While there were some interesting moments, because of the cruelty in those torture scenes, this was my least favorite episode of the series so far.

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13 years ago

TeresaJusino Thanks for reminding me of “Dance Macabre”, I knew as I wrote my comment that what I was forgetting something from earlier episodes when the show had yet to hit its stride. Though in a way since Roddy was considered a suspect and investigated as part the case, it wasn’t technically a seperate wesen issue.

The scenario I was trying bring up was a totally non-wesen case in victim, perp, and suspects (wesen as witnesses or who knew the victim exempt) with Nick and Hank investigating the case like they did before Nick’s ability kicked in. Meanwhile Nick gets alerted by Monroe or one of the neighboring wesen that two groups of wesen are starting to have problems and since he’s the Grimm (a different kind of one from what wesen grew up hearing about) he might be needed to resolve that issue. The conflict is when he’s needed on the case and needed to be Grimm at the same time in two different places. Of course the writers could just have Nick deal with a wesen related case and with a seperate wesen issue as the Grimm.

I’m not saying that its expected by the audience, but it’ll remind the audience that not every crime that Nick and Hank investigate could involve wesen. The best example I can come up with off the top of my head is the Buffy episode in which Janice(?) Summers dies, the death didn’t involve magic and the episode dealt with hardly any supernatural elements but it was one of the best episodes of the series. I’m not saying that Grimm needs to take things from Buffy, I’m just saying that Nick being shown as a cop first and Grimm second or in conflict with one another can work.

Its hard for me to remember everything off the top of my head, so I hope you bare with me in the future. I just found out that every episode can be viewed on Comcast On Demand until June 16, so I’m planning to rewatch the series to refresh my memory. And before I forget, you’re doing great work in reviewing and analyzing each episode of Grimm.

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OwlThought
13 years ago

Oh, I am just imagining how much poorly it would have gone for the characters if it had been a male seltenvogel. Part of what lured Robin into the situation as she admitted was that klaustreich said he loved her.

So, option one, the male seltenvogel is straight and is taken captive by the klausetreich who doesn’t even bother with niceties. Just wants the golden egg. The klausetreich just keeps the seltenvogel locked up, and there is no chance of rescue because no one knows.

Option two, the male seltenvogel is gay and is lured into the same relationship with a klaustreich. I imagine this being worse in a way, just because life has a tendency to be much more difficult in our society when you are attracted to anything other than what has been deemed “norm.” There are fewer available options and that offered love may seem even more precious. Then, there’s the likelihood that other people would want to be less involved in the situation. I imagine strangers feel relatively comfortable intervening when it is a woman being abused by a man, but what about a man being abused by another man?

Option three, a male seltenvogel with a female klaustreich. I can’t see this ending very well either. Societal views of abusive relationships where the victim is male is just horrendous. There is disbelief and humor and ugh. I think Juliette would have picked up on the situation no matter what, but I’m not sure how they would have gone about resolving it. Would there have been someone in town willing to risk him/herself to help the victim? Would the clues work themselves out as easily?

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jbo
13 years ago

I have watched every episode and really like the show. However, one major flaw really bothers me. Nick has zero power other than the ability to see the animal people. He has no super strength or anything else. So why would someone as powerful as Monroe be even remotely afraid of Nick? The Grimm reputation seems poorly earned. Am I missing something? This show would be so much better if the Grimm’s had some special power against the animal people, such as super strength only in their presence or the ability to read their minds. Alas, Nick can just see their true selves (though only when they let their control slip for an instant).

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ErinStatia
13 years ago

Some people have voiced concern that Nick (and hence Hank) appear to be investigating only wesen-related cases. I dont see this as being contrary to the Grimm universe. This is not because there are that many weson in Portland, but rather that their supervisor is Captain Renard. It makes sense that the Captain would filter the cases that he suspects are weson related both to fill his duty as a law enforcement officer and as a way of testing & training Nick for his long term goals (whatever they may be).

I personaly hope that the Captain comes to a crossroads where he realizes that his ambition in furthering his wesen goals is jeopordizing his oaths as a Captain in the police force. He has a duty to his lineage but also to the men under his command and the public he has sworn to protect.

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13 years ago

Nick and Hank probably worked on cases involving wesen all the time before Nick’s ability kicked in.

Except that the show itself has kind of refuted that. In one of the earlier episodes, one of the cops said something about them having more and more “weird” cases. (It might have been the medical examiner who said that.) Maybe this means that the wesen were always around but are now “acting out” for some reason. Or maybe it means that wesen are now being drawn to the Portland area for some reason (because of Renard?). Hopefully, the show will resolve this question.

In regards to every one of Nick and Hank’s cases involving a wesen: I just figured that these are the cases that we’re shown, and they sometimes work on cases that don’t involve wesen but we’re not shown those. Kinda like how you don’t see them taking bathroom breaks because it’s not germane to the story, which revolves around the Grimm.

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a smart guy
13 years ago

I’m trying to catch up on Grimm so I can fully enjoy the episodes. Is there any way I can watch the episodes for free? I’d appreciate it if you could show me where to go to watch them.

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KateH
13 years ago

TheresaJustino – I love your reviews, but just wanted to say that the Hilary Swank movie is called Iron Jawed Angels, because it required a torture device to force open the women’s mouths so they could be force-fed.
a smart guy – you can see the most current episodes on Hulu, and all episodes with HuluPlus.

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13 years ago

Great episode, even though disturbing. I think I have to say that that scene with the force-feeding is my biggest nightmare. It scares me more than anything else.
Even so, I like the dark, grim tone of Grimm. This show is different in many ways, from most shows I’ve seen.

Some thoughts in general, not just this episode:
1. I wish there could be more of a “team” feeling, since they have excellent characters that work so well together. I want more interaction, more working together.
2. I want female characters that aren’t just for romance. We’ve seen 3 occurring characters now, and even though I kinda wish some romance for Monroe – I also kinda wish that Rosalee would be a character in her own right and not just a girlfriend who happens to be useful.
I actually felt sorry for Adalind, even though she’s been horrible and evil – it must be so frustrating to lose everything you are and suddenly become weak. To only have her beauty and not her powers… Interesting thought there.